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We view music as a kind of spiritual discipline that raises ones inner being to divine peacefulness and bliss. That is, musical sound and the musical experience are steps to the realization of the Self. Keywords: Indian music sacred sound Hinduism K rtan Bhajan N ada-Brahman Dhrupad Khayal Bhakti Rasa Sang ta R aga T ala Our tradition teaches us that sound is GodN ada Brahma. Nearly all genres of Indian music, whether the classical Dhrupad and Khayal, or the devotional Bhajan and K rtan, share a common theoretical and practical understanding, and are bound together in a mystical spirituality based on the experience of sacred sound.īy citing several examples from the modern Hindustani classical vocal tradition of Khayal, including text and audiovideo weblinks, it is revealed how the classical songs contain the wisdom of Hinduism and provide a deeper appreciation of the many musical styles that currently permeate the Hindu and Y oga landscapes of the W est. Medieval Tantra and music texts introduced the concept of N ada-Brahman as the source of sacred music that was understood in terms of R agas, melodic formulas, and T alas, rhythms, forming the basis of Indian music today. The Upanishads articulated OM as Sabda-Brahman, the Sound-Absolute that became the object of meditation in Y oga.įirst described by Bharata in the N atya- S astra as a sacred art with reference to Rasa (emotional states), ancient music or Sang ta was a vehicle of liberation (Mok s. ![]() The recitation of the syllable OM and the chanting of Sanskrit Mantras and hymns from the V edas formed the core of ancient re sacrices. AUTOBIOGRAPHY OF A YOGI KANNADA PDF FOR FREEAutobiography Of A Yogi In Kannada For Free Public Fullĭiscover the worlds research 20 million members 135 million publications 700k research projects Join for free Public Full-text 1 Available via license: CC BY 4.0 Content may be subject to copyright. Nearly all genres of Indian music, whether the classical Dhrupad and Khayal, or the devotional Bhajan and Krtan, share a common theoretical and practical understanding, and are bound together in a mystical spirituality based on the experience of sacred sound.īy citing several examples from the modern Hindustani classical vocal tradition of Khayal, including text and audiovideo weblinks, it is revealed how the classical songs contain the wisdom of Hinduism and provide a deeper appreciation of the many musical styles that currently permeate the Hindu and Yoga landscapes of the West. Medieval Tantra and music texts introduced the concept of Nda-Brahman as the source of sacred music that was understood in terms of Rgas, melodic formulas, and Tlas, rhythms, forming the basis of Indian music today. The Upanishads articulated OM as abda-Brahman, the Sound-Absolute that became the object of meditation in Yoga.įirst described by Bharata in the Ntya-stra as a sacred art with reference to Rasa (emotional states), ancient music or Sangta was a vehicle of liberation (Moka) founded in the worship of deities such as Brahm, Vishnu, iva, and Goddess Sarasvat. The recitation of the syllable OM and the chanting of Sanskrit Mantras and hymns from the Vedas formed the core of ancient fire sacrifices. AUTOBIOGRAPHY OF A YOGI KANNADA PDF DOWNLOAD
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